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SINGAPORE
(IPS) - Singapore's cautious government appears
keen to show that it is ready to stand back and
let the more than 3 million people of this city
state speak up freely, but critics are not impressed
by its recent moves.
On
Jun 5, Minister for Information and the Arts Lee
Yock Suan said the government would grant up to
two new broadcast licenses each for radio and
television, and one for a newspaper in order to
"strengthen the local media".
While
some greeted it as at the start of a more open
media environment, others said that the decision
to restrict new licenses to the same government-controlled
entities will mean little radical change.
Earlier,
the Singaporean government announced that by end-
August, citizens will be free to voice their opinions
at a Speakers' Corner loosely modelled on London's
Hyde Park.
Last
year, the government released a report entitled
Singapore 21, promising to be more consultative
because "every Singaporean matters".
But
despite these moves, some Singaporeans are chafing
at what they say is a public relations exercise
by a government that has come under fire for leaving
little room for open dissent.
Speakers
planning to mount the soapbox at Speakers' Corner,
for instance, will have to register with the police,
must not use loudhailers or microphones, and cannot
comment on racial or religious issues, which are
considered sensitive subjects in this country,
majority of whose people are ethnic Chinese. However,
speakers will be able to proceed upon registering,
and need not submit information on their speech.
"The Singapore 21 vision is a sham, and even
Speakers' Corner is tied down with certain conditions
that restrict its optimisation as a site for free
speech," said poet-playwright Alfian Sa'at.
"I feel it is one of the present government's
bids to show the world that there is freedom of
public discourse in Singapore," added Veronica
Leng, a mass communication lecturer.
Critics
call the government's approach a two-steps-forward,
two-steps-backward dance, where it seemingly relaxes
rules but subtly enforces its dominance.
In
this month's decision to allow more media players,
for instance, foreign players need not apply as
the new broadcast licenses will only be granted
to government-controlled Singapore Press Holdings,
the publisher of the entire nation's newspapers.
Government-owned broadcast company Media Corp.
will get the newspaper license.
This
was the result of a government review of local
media, done by the Ministry of Information and
the Arts, because of convergence of traditional
media like broadcasting and print with the Internet.
But
the Jun 5 announcement was faulted for not really
providing more space for new voices in the media.
Writing in the English-language daily 'Straits
Times', Arun Mahizhnan of the Institute of Policy
Studies says Singapore "should not coy"
about deciding to have some control over the media,
which countries like the U.S. also have, but that
"the downside (of the new policy) is that
it is the same old duopoly".
"This
is no inspiration to those who were looking for
a wider editorial spectrum or broader industry
capacity," he was quoted as saying.
The
government, for its part, says it wants to balance
a more open media market with "allowing a
Singaporean identity to fluorish among Singaporeans",
as a ministry statement put it.
Indeed,
Minister Lee insisted during the Jun 5 announcement
that "the regular reporting on Singaporean
affairs for the Singapore audience has to be done
by Singaporean media". Local critics in the
'Straits Times' however say new technology makes
it unrealistic to believe the market can be limited
to ensure that only locals report on local news.
Apart
from media itself, the government is also a key
player in other forms of expression.
It
maintains control of the arts through funding.
It has poured some 600 million Singapore dollars
(349 million U.S. dollars) into developing a Singapore
Arts Centre that hopefully will make the arts
"a part of the daily life of all Singaporeans",
as the government explained.
A
veteran playright, in an essay published last
year, questioned the state's role in the arts
sphere. "Why has it been necessary for the
state to expand and strengthen its domination
in the arts, instead of enabling the non-government
enterprises to grow with state assistance?"
asked Kuo Pao Kun.
Sa'at,
whose co-authored play "sex.violence.blood.gore"
was censored last year, agreed that some standards
must be set for the arts. "But what I find
most profoundly disturbing is that this validation
and legitimisation is provided not so much by
the artistic community or even the public but
by the Government," he wrote in an unpublished
letter to the 'Straits Times'.
Political
dissent is an even touchier issue for the government,
led by the ruling People's Action Party that has
ruled Singapore for some four decades.
Local
critics also lash out at the Internal Security
Act (ISA), which allows for detention without
trial. Although the ISA has not been used politically
since 1987, its existence contributes to a climate
of fear and restraint in Singapore, said James
Gomez, a political researcher who owns Think Centre,
an event and publishing company.
The
centre was registered as a business to get around
the red tape that surrounds applications for political
discussion groups - and its existence is cited
by some as proof some groups are finding ways
to air their views here.
Gomez
hopes that the Think Centre will encourage Singaporeans
to have a greater awareness and increased participation
in political discussion.
When
he started out last year, people were sceptical.
Some wondered if he would be arrested. At the
launch of his book 'Self-censorship: Singapore's
shame' last year, the authorities denied Gomez
permission to speak publicly. To date, the centre
has held four seminars, the most recent of which
in March drew 150 people.
"It
has already made a difference by its existence
and activities that things political are possible.
It gives courage to those who do not have or those
who want to explore opportunities," he said.
The
centre's activities have drawn the attention of
the police, who send "at least three"
officers to monitor each meeting, Gomez said.
"I usually go up to them and say 'hi' and
ask for their names. I also have pictures of them
taken."
But
even as more Singaporeans gather to discuss political
issues, it may not be easy for them to openly
slow their political affiliations.
On
May 22, the government passed a new law which
says political parties may only receive anonymous
donations up to a limit of 5,000 Singapore dollars
(2,900 U.S. dollars) yearly - a measure that people
like Gomez say was passed without consultation.
Under
this law, political parties will have to submit
the name, address, and identity card number of
any Singaporean who donates above that amount.
Home
Affairs Minister Wong Kan Seng said the Political
Donations Bill was passed to "keep foreign
intervention out" of domestic politics.
But
to others, the required disclosure of donors'
particulars, especially those of opposition supporters
will further limit free expression in Singapore.
"The non-consultation over the Political
Donations Bill is one recent example," said
Gomez. "So it shows that in fundamental political
issues there is no consultation.
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